The Friday 56: The Uruk-Hai

This is a weekly booking meme courtesy of Freda’s Voice. Friday 56There is a linkup! The rules are simple: Grab a book, any book. Turn to page 56. Find a sentence, any sentence, and post it. (Or post a few — just don’t spoil it!) Add the post url (not your homepage) to the linky and do some visits.

Since I’m publising an Endless Tolkien series at Part Time Monster and am re-running the series from the beginning on Thursdays at Sourcerer, I’m sticking with Tolkien until I run out of books to quote. From The Two Towers.

‘Maggots!’ jeered the Isengarders. ‘You’re cooked. The Whiteskins will catch you and eat you. They’re coming.’

A cry from Grishnakh showed that this was not mere jest. Horsemen, riding very swiftly, had indeed been sighted: still far behind, but gaining on the Orcs, gaining on them like a tide over the flats on folk straying in a quicksand.

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A to Z Day 14: Narrative

Narrative was my only real choice for today. It is that important.

Click for A-Z blog list.

Click for A-Z blog list.

It’s difficult to come up with a medium of communication that resists narrative entirely. “Narrative” just means “story,” and stories are almost as important to humans as food.

We can find narrative in tapestries, and in other visual media that pre-date phonemic writing. It is possible to tell stories in sculpture. And then of course, there are all the usual suspects: fiction, nonfiction, poetry, film, painting, marketing, religious discourse, political communication, and on and on. Basically, if people are speaking to one another, they are telling or talking about stories.

So, what is narrative, then, and why is it so supremely important to human experience? I’ll lay it all out in the order I learned it.

1. A story needs a beginning, a middle, and an end. That’s not to say those three parts require an equal amount of words. The beginning can be a paragraph, a page, or a couple of chapters. The middle can be 9/10ths of the story. The end can be a single chapter, or a single line if you think you’re good enough to try that. And of course, the lines between the three are a bit blurry.

2. Characters are a must. They don’t need to be human (check out Flatland sometime), but they do need to be people. Characters can even be mostly-inanimate objects, as long as they have enough agency to influence the drama. (If you don’t believe me, try reading The Lord of the Rings and thinking of the Ring of Power as an independent character. Or read Tom Robbins’ Skinny Legs and All, which features a conch shell, a painted stick, and a spoon as prominent characters.)

3. Conflict is helpful, and compelling. There’s the whole “man v. nature, man v. man, man v. himself” thing. But really, conflict is just one very dramatic form of change. I think it’s possible to write a conflict-free story if you really know what you’re doing. I am not so sure it’s possible to write a story that is entirely free of change. I’m of the opinion that if you’re creating scene-based art, you need something to change in every scene, unless you have a very good artistic reason for painting a static picture.

So, that’s what narrative is. Now. Why is it so important? I say it’s important because humans are a bundle of sensory organs that exist in a universe of phenomena so diverse, it appears to be random (we can argue about the existence of the soul some other time, but for the record, I am an optimist where immortality is concerned).

We use stories to impose order on the chaos that is the natural world. In some cases, stories are a way of telling ourselves what we want to hear. In others, they are a way of getting at truth. We categorize things and trace their origins. We recount chains of events as a way of making sense of them. Without stories, there would be no order, no commerce, no progress. All we would do is respond to direct stimuli when we had to, and spend the rest of our time trying to figure out what things mean.

Narrative gives meaning to existence. It allows us to believe that one day we might find the still point of the turning world. That chaos is not a real thing.

Stories are illusions, but they are illusions we cannot do without.

So I am a storyteller, first and foremost. Without stories to tell, I have nothing to write.

A to Z Badge by Jeremy of Being RetroPins from Part Time Monster.

 

 

 

ArtSunday: Larissa Takes Flight, by Teresa Milbrodt – review

This book sounds very interesting. I’m not familiar with Milbrodt’s work, but after reading this, I’m thinking I should be.

Progressive Culture | Scholars & Rogues

In which we learn that saving the world is not so very different from selling shoes when one stops and thinks about it…

The always interesting Teresa Milbrodt’s latest story collection, Larissa Takes Flight, is what the publisher calls a “pastiche novel.” I know something about these having published a couple of my own,  so I feel relatively qualified to ramble on a little about this work in my own inimitable, if slightly eccentric style.

Larissa – and her adventures – cover two wide swaths of American culture: Milbrodt’s own special blend of the mundanity of  current American life with the epic (or, perhaps, mock-epic) and legendary which one writer colleague has called “Midwestern Mythic” as well as the author’s take on life as part of that sociological group we most often see referred to as “Gen X.”

The book is composed of a series of 58…

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